CinePostproduction has been able to develop a stereoscopic workflow that boasts top-notch image quality and production reliability, as well as ease and convenience in the process of dailies, editing and grading.

Providing stereoscopic corrected dailies to your editor and team takes a lot of strain from your brain (now look at that!).
Take advantage of our
mobile stereoscopic cinema on wheels to directly preview your footage on-set.

During final color grading  there´s a depth grading involved, making sure that your stereoscopic images “sit” in the right space.

ReferencesIf Buildings Could Talk, Gösser 3D Museumsfilm, Topper gibt nicht auf 3D, Loewe 3D, Audi AX 3D
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TeamViktor Gette, Jacob Dietz, Robert Glöckner, Manuel Georg, Tina Falke, Thomas Ramin